A series treating faith as infrastructure — cherished, automated, outsourced, hollowed out. 12 works.

An automated burning bush simulates revelation; the apparatus runs flawlessly, but nothing speaks.

A post-Romantic search for nature after its absorption into infrastructure, urbanization, and ecological crisis.

Nature placed in direct competition with its own industrial replacement; growth becomes resistance.

Weather reconstructed as machinic infrastructure; rain becomes a private technological service.

A choreography of approach and withdrawal between machinic systems.

Sound works built around the recorded voices of bird species that no longer exist.

Steel plates tremble with synthetic pressure; fossil modernity rehearses its own atmosphere.

A rainbow rerouted through fiber-optic infrastructure; natural wonder absorbed into the conduits of global capitalism.

Sunlight reconstructed through LEDs and Fresnel optics; transcendence rebuilt as programmable consumer infrastructure.

An artificial sun for the post-natural subject; affirmation as private weather.

Sacred ritual as procedural interface; the algorithmic sublime made literal.

The compulsive mechanics of the attention economy reduced to a single button.

A devotional gaze made impossible: the intimate apparition exposes the body that sees.